Day three is over! We finished tracking all the songs for Vol. IV. Nothing left except for instrument overdubs and vocals. It’s getting close…
Tag: recording
0 Vol. IV Sessions: Day Two
Day two is over! We made some more progress and knocked out a few new tunes. Things are looking good.
1 Vol. IV Sessions: Day One
The first day of recording is over! The day went pretty well and we got a lot of work done. Not a bad start.
5 Help Us Choose Our Next Album Cover!
Help the Dirty Bourbon River Show choose their next album cover
Volume III is almost finished being mixed/mastered, and so we need an album cover pronto! Help us decide – which of the 3 samples below is your favorite?
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So, what’s it gonna be – #1, #2, or #3? Let us know on our Facebook wall or in the comments section below and we’ll post the winner next week. ~ DBRS
0 As November Draws To A Close…
Hello folks! Hope everyone stuffed their faces yesterday – I know we all did. Now that Thanksgiving’s past I figured we’d give you a little update for how we’ll be finishing off the year…
Throughout the rest of November we’ll be finishing overdubbing Volume Three at the Music Shed here in New Orleans. Then, come December, while Vol. III’s shipped off for mixing and mastering, we’ll be hitting the road once again for a few little short trips here and there, East and West… Six new showdates just posted + more to come! —–>
Oh, and this Sunday we’ll be making a big little announcement with a whole host of prizes available for those who participate.
Need a hint?
Has a little something to do with this:
0 Beautiful Women Playing Tuba pt. 13
We wrapped up day five of recording yesterday and things are going really well. Only a few more days and the album will be finished. Things are looking good.
- Bassman
April, the six foot tall wonder from Wilmington, North Carolina.
0 Day 3: The Bed Is Made!
Ladies and gentlemen, we’re into day 3 at the Music Shed, and already laid the bed tracks for every song! To regale with our studio escapades, we bring you more pictures, including Big Charlie’s rendition of the Fat Samurai!
Keep it crazy,
Slyfox
0 Day 2 at the Shed
Day 2 is finished. 6 songs in 12 hours. Not too shabby, but we still have work to do. Time to head back to the studio.
0 And so it begins….
We have begun our sessions at The Music Shed. With the help of a Mr. Ben Lorio and a Mr. Billy Moesta, your Dirty Bourbon boys are cooking up some tasty tunes for yall to enjoy. And as an appetizer, we will begin posting up some pictures and footage of yours truly as we continue to work and record, so keep your eyes and ears open. Until next time…
Stay Patient. Stay Dirty.
Da Drummer…
4 Album Review: Danger Painter’s IV
Album review of the Danger Painter's IV
In the cosmos of music and art, the Danger Painter’s newest album, IV, is pretty insignificant. It’s no mega record like Zeppelin IV, it will probably never be toured, and not more than a few thousand people will listen to it, if that.
Then, you put fame and recognition aside, and if you are one of those few lucky wild at heart and weird on top-type people who have stumbled upon this unlikely record, you are left with a great feeling when you finish.
It makes you go Fuck Yeah.
The Danger Painters is comprised of longtime friends Bob Boilen and Michael Barron, formally of the DC band Tiny Desk Unit. IV, their 4th album, was written and recorded in a single month for the RPM Challenge, a yearly music industry tradition created in 2006 to help foster greater levels of productivity among musicians. The result is a true gem.
In this record you hear influences from all across the board. It is a record that echoes all sorts of great things – primary vocalist/songwriter Barron weaves through the tracks like a starker Stuart Staples – walking on Ostinato Black Keys-styled riffs and crunchy Oreos of aural accoutrements courtesy of his friend Mr. Boilen. The 7th track – Made on Earth (written by their bassist William X Harvey) – brings to mind Bowie and Radiohead. The 9th track, Power Off, rides on an Edward Sharpe-like sensibility, throwing in a little hootenanny and Zeppelin III-style rústico in the mix. In this record you hear the influence of many artists. Yet no part of this record is imitative.
It is instead universal.
IV is stitched together with great ambition, considering the time crunch it was produced in. It is presented very well. Occasionally the musicianship wobbles, but not awkwardly; instead it feels almost necessary at times, reminding you that the album you are listening to did not come from some mega band like Zeppelin or the Talking Heads or the Decemberists – but that it was made by two everyday guit’n’gear slingers like you or I, just doing what we like, without regard for fame or glory.
IV is do-it-yourself self-driven music appreciation at its finest.
It is also slightly autistic in this celebration, like a good 80’s Daniel Johnston tape. It touches you in darkly places, like a good Tindersticks or Scott Walker song. It is also strangely spirited and cheerful. And it is sometimes downright weird (my favorite track, When the Saints, is just fucking out there, in the best way possible – you blip and blop around, groove-hopping on bubbles and sonic zaps – dig it). IV is, from a mass taste perspective – a big no no. Yet, at the same time, it is entirely human. Any of us could have made this record. We just didn’t take the time to.
Give it a listen, and then go out and make your own record. Next year I invite all you fellow songwriters to enter the RPM challenge – if anything, it’ll keep your chops up and yield fodder for a future project. And, if you’re lucky, it may even produce a gem like the Danger Painter’s IV.
Download the full record for free from the Danger Painter’s website.
More on the RPM challenge HERE.
